our Instructor:Francesca Lia Block, author of the Weetzie Bat Books and The Thorn Necklace
Where:Online — Available everywhere!
When:July 28, 2020- August 25, 2020
What do we do when we feel the world is ending? We write through it, together
In this four-week course and workshop, acclaimed author Francesca Lia Block will teach you the basics of how to write an end-of-the-world story, examining your apocalyptic scenario through your setting, the impact it has on your characters and the themes you want to explore. By the end of class you will have written your own ten-page “End-of-the-World” story by bringing together the elements of a unique scenario, dimensional characters and a strong plot with a relevant theme.
Each week includes a lecture, a writing assignment, to be critiqued by Francesca and your peers, as well as ample opportunity for discussion. All skill levels welcome!
Francesca is the author of over twenty-five acclaimed and award-winning works of fiction, non-fiction and poetry, including the memoir/writing guide The Thorn Necklace: Healing Through Writing and the Creative Processand the cult classic Dangerous Angels: Weetzie Bat Books.
What This Class Covers
Week 1 – World Building
What is your end of the world scenario? How can you build a believable world to create conflict for your protagonist?
Week 2 – Character and Plot
Who is your protagonist and how will they navigate this scenario? What do they want? What stands in their way? Who is the antagonist (hint: it shouldn’t just be the end of the world scenario/setting)? What is a stake?
Week 3 – Theme
What are the larger ideas you want to express about the world by telling this story?
Week 4 – Crafting the Story
For the final week, we will create a finished ten-page story using the elements we have previously studied.
Not the End of the World by Kate Atkinson
Oryx and Crake by Margaret Atwood
California by Edan Lepucki
The Road by Cormac McCarthy
The Age of Miracles by Karen Thompson Walker
Goals Of This Class
- Create an end of the world scenario.
- Create a sympathetic protagonist and a strong antagonist without relying solely on the setting to provide conflict.
- Develop themes without sounding didactic.
- Write a first draft of a ten page story about the end of the world.